Bryony Lavery

My collection

Contact information

Involved in

Transcript Lavery

Bryony Lavery, Caroline Nevejan - View full transcript including film fragments here Hereunder the transcript in text.

Witnessing in theatre

Caroline Nevejan - Lavery’s first association with the word ‘witnessing’ is a witness in trial. Witnessing is not a…

Presence of actors

Caroline Nevejan - An actor is believable when he inhabits his role, according to Lavery. In the rehearsal process…

Trusting to Act

Caroline Nevejan - When rehearsing her play Stockholm, which is about the relationship of two people who are very much…

Writing a play: rhythm in actions that change characters

Caroline Nevejan - When confronted with the definition of a play as a system of time, place, relations and actions

Robust structure for ‘magic in the air’

Caroline Nevejan - As playwright Lavery suggests a rhythm, using her sense of where people’s behavior needs silence

Good stories are fueled by emotions

Caroline Nevejan - In good stories, finds Lavery, you feel a story and every secene is about slightly more than it…

To create the sense of place

Caroline Nevejan - Creating the sense of place in theatre is mostly a collaborative effort of many. As a playwright…

This website is work in progress. It is curated/edited by Caroline Nevejan. All contributing authors are owner of their work. The content on this website is licensed under the Creative Commons license: Attribution–Non commercial–Share alike.

Design by Driebit Community Management (CMS) Ginger