Zoro Feigl creates work about movement and the manifesting of time trough change. Technology and Science play a large roll in his research and creation process about how time is perceived and
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Endless motion is not perpetual but has a similar hypnotizing magic. I'm trying to illustrate time trough repetition, change and loops.
perception:
Zoro
Zoro
While trying to control the factors that influence the outcome I also define where I want the piece to go it's own way. It is controlling where there should be chaos.
It is like I have heard each member of the choir sing and know their capabilities but am never to able to hear the full choir sing together until the opening night.
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When things change slightly every revolution it is not really a loop. It becomes a pattern of similar yet slightly different circles.
I had this fantasy as a kid about low-tech time traveling. A simple plan that could give at least the suggestion of standing still in time.
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In 2005 we wandered trough an old deserted sanatorium in the woods of Brandenburg, in Germany. This area consisted of several old hospitals in decay; abandoned and overgrown. Nature took its control
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In the basement of the Rietveld there was a room, which I used as a studio for a while. The only sunlight I could see there, was a small spot that came down through the staircase windows. The
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Time plays another role in the work, though in a less noticeable way. My work wears quickly. It tends to break, wear out, or stop working after a while. Where it breaks a scar is made.
Three weeks of interaction with my work in a new surrounding.
concept:
Zoro Feigl
Zoro
Standing in the container will create the effect of being on open water. Within the container it will be fairly dark. A minimal installation with light and fluids will be there to exaggerate the
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perception, concept, methodology, techno-biography:
Zoro Feigl
Zoro
The container was the first place I started. I built a small container of wood to see what a container essentially is. Then, after I made the model, I marked the actual size of the container to feel
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By now I'm moving my stuff to the Subvision festival in Hamburg. From now on it will be putting the pieces together and watching the actual thing take form.
On the road.
These containers are meant for cargo, not for people. In the container a light bulb was hanging on a long piece of wire. It slowly moves back and forth as it is counter balancing the movements of the
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The more you take control as an artist, the more you can send or guide the experience. Without a framework or boundaries it can be very boring, even formless. These borders function as a framework
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The container functions as a symbol for globalization and freedom of transport, while the people who make the products shipped in these containers are often not allowed to travel anywhere.
The Russian art and activism group Chto delat/What is to be done? approached me soon after they arrived. They wanted do a performance on top of the moving container.
perception:
Zoro Feigl
Zoro
The viewers often don’t want to interrupt each other’s view. Which creates a funny situation when there is not that much to see, when it is mostly a work that can be ‘viewed’ with your eyes
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Contributor
In my work I explore how energy and movement manifests itself both visibly and as an experience. I create pieces that are visibly pleasing and provoke a bodily reaction from the viewer. The endless
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