Log in / sign up
Being-Here
  • YUTPA
    • About the YUTPA framework
    • Time
    • Place
    • Action
    • Relation
    • The YUTPA graphs
    • Three examples of Presence as Value for (meta-)Design
  • Experts
    • Abraham: Online Life
    • Bawa: Politics of Land
    • Dinesh: Tsunami 2004
    • Gill: Rhythm in Communication
    • Hazra: New Witnessing
    • Ilavarasan: IT Companies in India
    • Jansma: Engaging spaces
    • Kaul: Personal Global Communication
    • Lavery: Theatre's Magic
    • Macfaydyen: Investigative Journalism
    • Narayanan: Social technologies
    • Panghaal: Designing Centredness
    • Parthasarathi: Mediating Actions
    • Quillinan: Formatting Presence
    • Sood: Shared Meaning
    • Van Splunter: Basic Trust
    • Upadhya: IT Culture
    • Van der Vlies: System of Law
    • Warnier: Systems are Tools
    • Wilson: Distributed Collaboration
  • Artists
    • Butler: Intimate Strangers
    • Chen & Vermaas: Witnessing Design
    • Carlgren: Looking Glass
    • De Jong: Sensing Place
    • Feigl: Constructing Time
    • Jodi: Surviving Code
    • Lancel/Maat: Tele_Trust
    • Maurer: Playful Systems
    • Ophuis: Painting Trauma
    • Solomon: Sharing Food
    • Twaalfhoven: Shared Listening
    • Van Lohuizen: Traveling photo's
    • Vermeulen: Biomodd
  • Academics
    • Turner: Everyday Witnessing
    • Korsten: Apostrophe
    • Benzaquen: Shifting Testimonies
    • Van der Meulen: Fictional Presence
    • Brahnam: The Healing Witness
    • Gullstrom: Design Frictions
    • Gill: Rhythmic synchrony
    • Nevejan & Brazier: Granularity
    • Tara & Ilavarasan: Midnight Commuting
    • Mendy: Employee's Presence
    • Berix: Public Participation
  • Publications
    • The workshops
    • The chapter
    • The book
    • The Journal
    • The paper
    • The dissertation
    • Foundational literature
  • 2014 Sustainable Texel
    • Program
    • Participants
    • Columns
    • Food & More
    • Health & Happiness
    • Leisure & Knowledge
    • Materials & Waste
    • Public space
    • Sustainable mobility
    • Texel as host
    • Water cycle
    • Results Texel 2014/2015
  • About
    • Methodology
    • Keywords
    • Profit from this research
    • Colophon
--

Magic

Day two

The day started well with a coffee at 10 am. Next we watched a documentary about the applications…

Chacon workspace

Spatial relocation

Spatial relocation

In this day and age, it can perhaps be argued that architecture, through the integration of new…

‘What a thrill it is to be here!’

‘What a thrill it is to be here!’

‘What a thrill it is to be here!’ Margaret Atwood exclaimed as she addressed the audience of the…

Performance

In social interaction people perform presence in relation to one another. When meeting a grim face…

Media-auric effect

Media-auric effect

Sjoukje van der Meulen - Huyghe’s work, therefore, can only be fully understood with the help of a conceptual framework that…

Pierre Huyghe: A Journey that wasn’t

Pierre Huyghe: A Journey that wasn’t

Sjoukje van der Meulen - Now, Huyghe’s A Journey that wasn’t evokes fiction by its title alone because of its poetic denial…

Witnessing Simulacra

Sjoukje van der Meulen - The idea that the new technological media have changed our idea of presence and witnessing has been…

Natural, mediated and witnessed presence

Sjoukje van der Meulen - This paper does not intend to give an all-inclusive overview of presence theories, but makes use of…

Who is witnessing the destruction?

Frans-Willem Korsten - The point is ironically illustrated by some of Walker’s pieces that depict the biblical flood or…

The example of Atwood in Lillehammer 2008

Floating city

Floating city

Radka Simandlova - How inspiration by Bio-Mimicry helped us to upgrade our design project

FOOD/WASTE

FOOD/WASTE

Katarina Gyoreova - wasting/buying/shopping

Going High

Going High

Kadir van Lohuizen - A bus is something weird. Its intimate because you travel, often for a long time with strangers

Facing Decisions

Facing Decisions

Chin-Lien Chen, Chris Vermaas - Precisely how does the designer make his/her decisions in the process of design; what leads him or…

How do you compose a moment in which time itself is shared?

How do you compose a moment in which time itself is shared?

How can music bring people together for something more than a fleeting, aesthetic experience? How…

Move in a efficient way

Move in a efficient way

Jorge Sanchez, Ana Fernandez, Markus Zöchbauer - Natual ways to move and designing

Bio See, Bio Do

Bio See, Bio Do

Sebastien Moitzheim, Mark-Michael Weltzl, Franziska Scheuermann - After all this time of technical and scientifical progress, we are becoming increasingly aware that…

Presence of actors

Caroline Nevejan - An actor is believable when he inhabits his role, according to Lavery. In the rehearsal process…

Quality of Deeds

To be able to act grants human beings with the sense of agency; to be able to influence what…

The nature of glass remains anything but clear

The nature of glass remains anything but clear

It is well known that panes of stained glass in old European churches are thicker at the bottom…

Always out of focus. Why?

Always out of focus. Why?

Anna Carlgren - Raindrops refract light. A double rainbow is perceptible when a double refraction occurs in the…

Kaleidoscope: Engaging the eyes

Kaleidoscope: Engaging the eyes

Anna Carlgren - How a graphic pattern cut in safety glass can draw forth a smile. In our day-to-day lives most of…

World upside down

World upside down

Anna Carlgren - When looking at this picture at least three convex lenses are involved. In the human eye (1), in…

This website is work in progress. It is curated/edited by Caroline Nevejan. All contributing authors are owner of their work. The content on this website is licensed under the Creative Commons license: Attribution–Non commercial–Share alike.

Design by Driebit Community Management (CMS) Ginger